McGuane, Thomas

McGuane, Thomas - Florida Authors
Ninety-Two in the Shade (1973)
" Full of surprises and rewards and an exhilaration one feels only rarely.... I offer a gentle exhortation -- please read this book." -- Newsday
Tiring of the company of junkies and burn-outs, Thomas Skelton goes home to Key West to take up a more wholesome life. But things fester in America's utter South. And Skelton's plans to become a skiff guide in the shining blue subtropical waters place him on a collision course with Nichol Dance, who has risen to the crest of the profession by dint of infallible instincts and a reputation for homicide. Out of their deadly rivalry, Thomas McGuane has constructed a novel with the impetus of a thriller and the heartbroken humor that is his distinct contribution to American prose.
" Thomas McGuane makes the page, the paragraph, the sentence itself a record of continuous imaginative activity.... He is an important as well as a brilliant novelist."
-- The New York Times Book Review
" McGuane's sense of place, his harsh and delicate exactness of detail are at their keenest."
-- Newsweek
" Few writers have explored our national malaise as persistently -- or as elegantly -- as Thomas McGuane, a writer whose command of the language has helped define our American loneliness." -- Philadelphia Inquirer

McGuane, Thomas - Florida Authors
Panama (1978)
From Library Journal
McGuane writes "like he's engraving each work in stone," said LJ's reviewer of this novel (LJ 12/15/78). The plot finds drugged-out and washed-up rock star Chet Pomeroy trying to get his act together in wild and wonderful Key West, Florida.
Copyright 1995 Reed Business Information, Inc.
McGuane, Thomas - Florida Authors
The Longest Silence: A Life in Fishing (2001)
From Publishers Weekly
Novelist McGuane (Nothing but Blue Skies, etc.) celebrates everything about angling in this collection of 33 essays, which is certain to entertain fellow enthusiasts and fans of his writing. Any notion that fishing is humdrum is dispelled when McGuane describes eloquently his lifelong love affair with the sport, from the joys of tying flies and testing different rods, to sharing ghost stories and observational gems with fellow anglers, to absorbing quietly life's mysteries. He puts into historical and literary context the classic fishing writings of Izaak Walton and Roderick Haig-Brown. Throughout, McGuane's awe at nature's splendor shines in his prose. Releasing a trout after catching it becomes a moment of reverence: "Suddenly the fish was there, its spotted back breaking the surface, then up showering streamers of silver from the mesh of the net.... I stood in the river for a long while, holding him into the current and feeling the increasing strength in a kicking tail I could barely encompass with my grip. To the north, the Aurora Austral raised a curtain of fire in the cold sky. My trout kicked free and continued his journey to the Andes." Such moments emphasize McGuane's call for preserving the world's rivers from overdevelopment. Whether he's fishing for trout in a beaver pond in Michigan, salmon in Iceland or tarpon in Key West, McGuane casts not only his fishing line, but also his magic at turning a precise phrase and evoking a delightful image. (Nov.)
Copyright 1999 Reed Business Information, Inc.
McGuane, Thomas - Florida Authors
Gallatin Canyon: Stories (2006)
From Publishers Weekly
McGuane returns to the territories of his novels (Some Horses, etc.) in this collection of stories set in Montana, Michigan and Florida. Most of the characters are older, divorced and still looking for attachment but without much hope of love. They are alcoholics (in "Vicious Circle" and "The Refugee"), junkies ("Northcoast"), low-grade ex-cons ("The Cowboy"), embezzlers ("Old Friends"), disconnected fathers ("The Zombie" and "Aliens") and lackluster ordinary men. In the title story, an unnamed smalltimer sets out on a business trip down the winding Gallatin Canyon, Mont., road with his girlfriend, Louise. He conducts his business dealings with phony bluster and indecision, humiliating himself in the eyes of this woman he hopes to marry; things get worse from there. Any attempts these characters make to draw happiness back into their lives backfires clumsily, pushing it further from their grasp. McGuane's sentences still have a playful quality, but the prevailing dreariness ("I wish I could feel something," exclaims Louise) is something other than inspiring. (July 11)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.



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